“If You Don’t Have $50,000, Hang Up”
Imagine answering your agency’s phone this way: “ABC Agency. If you don’t have fifty thousand, hang up.”
It’s a deliberately provocative line, offered with a hint of facetiousness by sales authority Blair Enns. But behind the shock value lies a profound truth for every creative professional who has ever dreaded the money conversation.
For most creatives, discussing budget is the most stressful part of the client acquisition process. The fear of tension, of appearing greedy, or of scaring a prospect away causes them to delay, deflect, and avoid the topic at all costs. They invest hours, sometimes weeks, in conversations, meetings, and proposals, only to discover at the final moment that the client’s budget was never aligned with their value.
This is a catastrophic and entirely avoidable waste of time.
In a candid conversation with Chris Do, Blair Enns, author of The Win Without Pitching Manifesto, unpacks the ninth proclamation from his book: We will address issues of money early.
This isn’t a suggestion. It’s a foundational rule for building a profitable and sustainable creative business. “Everything that follows follows this sentiment,” Do explains. The goal is to resist overinvesting in the buying cycle, only to find out the client cannot afford to pay what you are worth.
Forgetting to talk about money isn’t an oversight. It’s a critical business failure. The stress you feel around money conversations doesn’t come from having them. It comes from the conversations you avoid. Enns states a simple rule: “Those who don't talk about it don't make it.” The path to getting better at money talk is simple: have these conversations early and have them often.
The Myth of Politeness
The most common pushback Enns hears against this direct approach is rooted in culture and etiquette. Creatives from all over the world insist their region is different.
“Blair, you don’t understand, in the South it’s considered impolite to talk about money,” they say. The same sentiment is echoed by professionals in the Midwest, in New York, and even, improbably, in Saudi Arabia. Enns is direct in his assessment of these claims: for most, they are wrong.
This discomfort is not a cultural mandate. It is a personal issue masquerading as a social norm.
We are taught from a young age that discussing finances in a personal setting is impolite. You do not ask a friend what they paid for their house or volunteer your annual salary at a family dinner. This is the baseline for social grace in our private lives. The mistake is extrapolating this personal etiquette into the professional world.
In business, a different set of rules applies. An inability to discuss money at the appropriate time is not a sign of politeness. It is a sign of poor business acumen.
It signals fear. If you are afraid of the subject, you are setting yourself up to lose when it matters most. The best clients, the ones who value expertise and results, are not put off by a direct conversation about the investment required. In fact, they expect it. Your confidence in discussing money directly translates to their confidence in your ability to deliver results.
This fear often stems from a personal scarcity mindset. As Do explains, he operates from a place of abundance, seeing money as a flowing river. Others operate from scarcity, terrified by the financial risks that feel comfortable to others. To succeed in business, you must understand your own relationship with money and actively separate it from your professional conduct. You must learn to lean into the conversation, not away from it.
Introducing the Minimum Level of Engagement
Talking about money early is the principle. The tactic that puts this principle into action is the Minimum Level of Engagement (MLE). Coined by Enns, it is a simple yet powerful tool for qualifying clients from the very first conversation.
The MLE is a financial hurdle you declare early in the process. It is a clear statement that sets the floor for any new client relationship. This isn't about being arrogant. It is about being strategic. It sends a message: we are not for everybody, and we only engage in work of a certain financial scope.
So how do you calculate it?
The starting point for your MLE is 10% of your annual fee target. This number is not arbitrary. It is derived from the idea that a healthy creative business should have between 8 and 15 clients. With an average of 10 clients, each one should represent roughly one-tenth of your total revenue.
Here’s how it works:
- If your annual revenue target is $200,000, your starting MLE is $20,000 per year.
- If your target is $500,000, your starting MLE is $50,000 per year.
- If you are building a $1 million business, your starting MLE is $100,000 per year.
You may adjust this number up or down based on your specific situation, but 10% provides a sound mathematical foundation. It forces you to focus on clients who can contribute meaningfully to your business goals, rather than getting distracted by a series of small, unprofitable projects. This is a core tenet of effective business strategy, a concept also explored in how to attract your ideal clients.
The key is to present the MLE as a condition of engagement, not as a price for a specific project. You are framing the conversation around a long-term relationship, not a one-off transaction. “Our minimum level of engagement is X dollars in fees over the course of twelve months,” you state calmly. Then you pause. You embrace the silence and wait for the client to speak next.
This single statement changes the entire dynamic of the conversation. It moves you from a passive order taker to an expert professional with standards.
Navigating the MLE Conversation
Presenting the Minimum Level of Engagement is not a take-it-or-leave-it ultimatum. Think of it as a diagnostic tool. The client’s response tells you everything you need to know about where to go next.
Let's say your MLE is $20,000. The client might respond in several ways:
- The Ideal Response: “Yeah, look, I think we’re talking in that neighborhood.” This is a green light. The client is financially qualified, and you can proceed with the qualifying conversation.
- The Project-Focused Response: “Well, I’ve only got $5,000 budgeted for this project.” This is the most common scenario. The client is thinking about a single project, while you are talking about an annual relationship. This is not a dead end. It is an opportunity to reframe.
When the client brings up a smaller project budget, your job is to bridge the gap. You are not in the business of small, one-off projects. You are in the business of long-term relationships that are composed of many projects. Similar strategies for framing value are discussed in the masterclass on price and value with Ron Baker.
Your response should be firm but flexible. “Okay,” you might say, “we’re not in the five-thousand-dollar project business. We do projects of that size all the time, but for clients with whom we have a longer-term relationship.”
Then you pivot to exploration. “Let me ask you, if this goes well, is there another project after this? Could you see the work adding up to $20,000 or more over the course of the year?”
The client might say they can’t commit to future work until the first project is complete. This is perfectly reasonable. Your response acknowledges this without relinquishing your position: “Of course you wouldn’t, and I wouldn’t ask you to. I’m happy to proceed on a project-by-project basis. I just want you to know we’re not in the one-off project business. We are agreeing to do this first project with the understanding that if everything goes well, there is more work to follow.”
This conversation repositions your firm from a disposable vendor to a strategic partner. But what if you actually want that $5,000 project? The beautiful thing about the MLE is that you, the expert, reserve the right to waive it. If you need the work, you can simply say, “From time to time, I make exceptions. Let's talk a bit more about this project.” After a few more qualifying questions, you can make a clear offer, a technique often used in effective sales calls as detailed in this sales training workshop.
You can even use it as a closing tool: “If we can agree to move forward today, I’ll waive the minimum level of engagement for this first project. Can you say yes to that now?”
The MLE is a hurdle you place in front of the client. It is a filter. But you always keep the power to remove that hurdle if the situation warrants it.
The Power of Constraints: Welcome to Blairtopia
Why is the Minimum Level of Engagement so critical for long-term success? To understand its strategic a power, Enns invites listeners into a thought experiment he calls “Blairtopia.”
In Blairtopia, a simple law governs all creative firms: you can never have more than ten clients at a time.
Like any constraint-driven exercise, the first reaction is usually resistance. “I can’t do that.” But after a moment, the mind begins to adapt. You start to see how it might be possible, even if it requires compromise. Then, with a little more thought, the breakthrough happens. The constraint itself becomes the source of creativity and strength.
If you were forced to operate with a maximum of ten clients, what would change about your business?
- You would become radically selective. You could not afford to take on a small, distracting, or unprofitable client because they would be taking a valuable slot from a potentially better one.
- The MLE conversation would be non-negotiable. Every new prospect would have to pass a rigorous financial and strategic evaluation before you even considered bringing them on.
- You would constantly be improving your client roster. To take on a new, more lucrative client, you would have to let one go. Naturally, you would fire your least profitable or most difficult client.
- Your firm would reinvent itself with every new client. This forced churn would continuously elevate the quality of your work, your profitability, and your expertise.
This thought experiment reveals the strategic imperative behind the MLE. You reinvent your firm one new client at a time. Every prospect you engage with is an opportunity to move your business toward your three-year vision or away from it. A wrong client is not just a frustrating engagement; it's a strategic diversion from your path.
As Enns points out, a healthy firm turns over its entire client base every three to four years on average. If every new client you take on is more profitable, more strategically aligned, and more appreciative of your expertise, in three years, you will have built the exact business you envision. The ten-client rule forces the discipline required to make this happen.
The Art of Walking Away
The entire framework of the MLE and the ten-client rule rests on a single, fundamental power: your ability to walk away. “Your only real power is to withhold your expertise,” Do says. If you cannot say “no,” you have relinquished all your leverage.
This is not about bluffing. It is about genuinely being willing to let an opportunity go if it does not meet your standards. For many, the word “no” feels like an ending, a failure. Enns sees it differently. “I just don’t see no as the end,” he explains. “I see no as the beginning of whatever happens next.”
He operates from a place of patience, believing that eventually, everyone is a buyer; the only variable is time. This mindset allows him to detach from the immediate outcome of any single conversation. He is not desperate for the deal, and clients can sense it.
Clients are repulsed by neediness. They can smell it. Conversely, they are attracted to discernment. When they sense that you are evaluating them just as much as they are evaluating you, it changes the power dynamic. They see you as a prize to be won, not a commodity to be hired.
Sometimes, the most powerful move is a simple statement after a brief qualifying conversation: “You know what, it sounds like a really exciting project. It just doesn’t seem to be for us.” Then, silence.
Walking away might mean passing on something that isn't a perfect fit strategically. It might mean turning down a large sum of money for work that is a distraction. These are hard decisions, but they are the decisions that separate wildly successful firms from those that merely survive. Every decision to take on a client is a step toward or away from your ultimate vision. True brand strategy is defined as much by the clients you turn down as by the ones you accept.
From Fear to Financial Confidence
Even with these frameworks, experienced creatives can still feel a deep-seated resistance. A common objection is that you cannot command high prices without a proven track record of delivering a return on investment.
Enns dismisses this notion as a limiting belief. “You have no idea what you can charge,” he insists. To illustrate, he tells the story of a friend, an independent consultant, who was facing a client with a $30,000 project budget. Using the principle of anchoring, his friend opened the proposal not at $30,000, but with a top option of $30 million. He ultimately closed the client on a $300,000 solution, ten times their stated budget.
How is this possible? The consultant saw an opportunity to create value far in excess of the budget and was willing to share the risk. He likely structured the deal with a small base fee and tied the vast majority of his compensation to performance outcomes. This is the world of value-based pricing and performance pay.
If you want to make a massive leap in what you can charge, especially without a long history of results, you must be willing to take on risk. As the legendary management consultant Peter Drucker said, in business, all profit is derived from risk. By putting skin in the game, you align your success directly with the client’s success, making huge fees not only palatable but exciting for them.
Another common fear is that leading with money will make prospects think you only care about their budget, not their business. Enns labels this a “rookie mistake.” It is a feeling rooted not in business reality, but in a personal lack of confidence and a distorted sense of worth.
There are two primary types of buyers: price buyers and value buyers. The price buyer is focused on expense and wants the cheapest option. The value buyer is focused on results and is willing to pay a premium for confidence. Your approach to the money conversation is a filter that separates one from the other.
When you exude confidence over money, you are exuding confidence over results.
The best clients are not looking for the cheapest vendor. They are looking for an expert partner who can solve their problem. Your willingness to talk about money early, to set high standards, and to walk away from a poor fit is the clearest possible signal that you are that expert.
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